Nielsen Rating: 9.8 HH
PERFECT STRANGERS EPISODE GUIDE
EPISODE 50 - Bye, Bye Biki
First Air Date: May 6, 1988
Nielsen Rating: 9.8 HH
TV Guide Description: The most difficult task for Larry concerning the impending visit of Balki's 106-year-old grandmother isn't coping with the cow, goat and chickens in the apartment or the eels in the bathtub, but giving Balki the bad news: Grandma Balki died when she got off the plane from Mypos.
Co-Producer: James O’Keefe
Created by: Dale McRaven
Written by: William Bickley & Michael
Warren
Directed by: Joel Zwick
Cast:
Bronson Pinchot: Balki Bartokomous
Mark Linn-Baker: Larry Appleton
Rebeca Arthur: Mary Anne
Melanie Wilson: Jennifer Lyons
Belita Moreno: Miss Lydia Markham
Guest Cast:
Jo Marie Payton-France: Harriette Winslow
Dimitri Appearances: Dimitri can be seen
throughout most of the episode sitting on the bookcase and wearing a sweater.
In
the final scene he has tiny balloons on his head and a red nose like Balki’s and
there is also a
little box of popcorn in front of him.
Balki-isms:
"I have been running around like a
chicken with his head glued on all day!"
"Cousin, I have a storm in my
brain!"
Don’t be ridiculous: Said once.
Other catchphrases used in this episode:
"Get out of the city!"
Other running jokes used in this episode:
Balki’s mama (or in this case his yaya)
yelling "Balki!" over the phone
Harriette insults Lydia
Songs: For She’s a Jolly Good Fellow translated into Myposian - sung by Balki, Harriette, Larry and Lydia
Interesting facts:
- The voice of Balki’s Yaya, who is only
ever heard calling "Balki!" over the phone, is the same as
Balki’s mama who does the same thing. Since Yaya Biki is Balki’s mother’s
mother, it would make sense that they would sound the same.
- When Balki describes the man on the
flying trapeze it’s a bit of an in-joke because Bronson appeared on Circus of
the Stars the previous year to perform on the trapeze himself!
- The seriousness of this episode was
quite unusual for the series. Only a few episodes ever ended on a sad note, and
none as deep or meaningful as seen here. While the message of the episode was
strong, it was especially strong for those who had lost loved ones. Many fans,
especially those who had recently suffered a loss of someone close, found this
episode incredibly intense and reacted in many ways. Some found the message
comforting, others found it hard to take. In any case, it was a moment of
television which touched a lot of people and stayed with many fans for a long
time afterward.
Bloopers and
Inconsistencies:
- As can be imagined, the cow’s mooing
had to be dubbed in. If you look closely, the cow never actually moos when the
mooing is heard! They cleverly try to cover this by adding the moos when the cow’s
mouth isn’t clearly seen.
- Okay, this is ridiculously picky, I
know, and the explanation is blatantly obvious, but here goes . . . when Balki
says goodbye to Yaya Biki why does he not speak to her in Myposian as he did on
the phone?
Synopsis:
The episode begins one morning in the
apartment. Larry, dressed for work and holding his jacket over his arm, gets his
briefcase and knocks on Balki’s closed bedroom door calling, "Balki, will
you come on? If we don’t leave for work right now all the really good donuts
will be gone!" Larry undoes the chain on the front door as Balki emerges
from his bedroom, insisting, "Okay, Cousin, I’m ready, I’m ready!"
although he is only loosely dressed with his shirt hanging out, no socks or
shoes and his suspenders hanging down. He drops his shoes and socks on the floor
as the phone begins to ring. Larry walks over to answer the phone as Balki
starts to finish dressing. "Hello?" Larry asks into the receiver.
"Balki!" comes the sharp woman’s voice on the other end of the line.
"It’s for you," Larry tells
Balki. "Well, tell them I call them back later," Balki says.
"I
think it’s from Mypos," Larry explains, "I hear chickens in the
background." Balki hurries to the phone, taking the receiver from Larry.
"Nay?" he asks, then reacts happily, exclaiming "Dazo Yaya!"
He continues in Myposian until Larry asks, "Who is it, your mother?"
"No, it’s my Yaya!" Balki explains excitedly. "Your Yaya?"
Larry asked, confused. "My grandmother!" Balki explains, until he
hears the sharp "Balki!" through the receiver and goes back to his
conversation. He ends the conversation with, "Okay . . . bye bye,
babe" and hangs up. "Cousin, the most wonderful news! My Yaya is
coming to America!" "Well, that’s great!" Larry smiles,
"Grandma Bartokomous is coming to America!" "Get out of the
city!" Balki gasps, "She’s coming, too?" "You just told me
she was coming," Larry points out. "No . . . em . . . no . . . my Yaya
Bartokomous is not coming to America. This is Yaya Biki from my mother’s
side," Balki explains.
"Wait a minute," Larry realizes,
"Is this the Yaya Biki who’s a hundred and six years old?" "No,
this is the Yaya Biki who has a lounge act in Vegas," Balki says
sarcastically as he puts on his socks. "What I meant was I can’t believe
someone who’s a hundred and six is going to be making a trip like this,"
Larry says, finishing putting on his jacket and getting his briefcase again,
"Isn’t it too much for her?" "Well, maybe for your average
hundred and six year old but not for my Yaya," Balki assures Larry
as he puts on his shoes, "This woman, every morning before the sun come up,
she takes the goats six miles uphill to graze them, then she come back down the
hill and cook breakfast for twenty six men and then after the twenty six men go
out to the fields she does forty five minutes of low impact aerobics. So you
see, for someone over a hundred she’s very much an eighties’ woman."
Balki finishes dressing by pulling his suspender straps up over his shirt and
jacket, looking very odd as they walk out the door.
The next scene takes place at a later date
in the apartment. Balki is busy hanging garlic over the fireplace, which is
festooned with plants, pans and even a large cooking pot. He then walks into the
kitchen and goes to the sink. Larry enters the apartment 
and sees the fireplace
in all its Myposian glory, pausing to shake his head in exasperation. He closes
the front door and hangs up his jacket then turns around . . . to find a cow
standing in the living room behind the couch. As the cow chews its cud, Larry
calls out, "Balki!" Balki pokes his head between several potted tomato
plants that are on the kitchen counter and smiles, asking, "What can I do
you for?" "Could we have a . . . chat?" Larry asks. Balki meets
Larry at the couch and they sit down.
"Balki . . . when you brought a
hundred pounds of garlic into the apartment I said to myself, ‘Okay . . . so
Yaya Biki loves scampi.’ When you told me she likes to keep fresh eels in the
bathtub I said to myself, ‘Hey . . . no problem . . . I take showers.’
But .
. . . " "It’s the cow, isn’t it?" Balki asks. "Well,
yes," Larry admits, "The cow . . . bothers me. I want Yaya Biki to
feel at home, I really do! But have you ever thought that she’d like to see
how we live? Experience the American way of living? Things like, oh . . .
uh, I don’t know, uh gee, what exactly can I think of? Uh . . . oh!
Beef on
the table instead of beef at the table?" The cow moos after Larry
says this. "Sorry!" Larry offers, then turns back to Balki, begging,
"Please? Can we get rid of the cow?" "Well, Cousin, I’m just
trying to give Yaya Biki a few of the little comforts of home," Balki
explains, "See? Look . . . I made her this blanket." He shows Larry a
pretty woven blanket and adds, "I weave it myself so that she won’t get
cold while she’s watching Letterman."
"It’s beautiful," Larry agrees. "And how ‘bout that chair?" Balki asks, pointing to an old-style rocking chair next to the coffee table, "That chair is just like the one she has on Mypos!" "Look, I don’t mind the chair . . . I mind the cow," Larry repeats, "Please . . . let’s take it back?" When Balki doesn’t answer right away Larry grows worried, saying, "We can take it back, can’t we?" "Okay, we can eighty-six the cow," Balki sighs, "She’s just a rental." "Good," Larry sighs, getting up and saying, "I’ll go change clothes." "Ah, Cousin, before you go," Balki says as he stands up, "um . . . you ought to know that there may be a penalty for returning her unmilked." Larry eyes Balki a moment, then says, "I’ll chance it!" before going to his bedroom.
The next scene takes place in the basement
of the Chicago Chronicle the morning Yaya Biki is due to arrive. Balki is
leading Harriette, Larry and Lydia in a song with Myposian lyrics (see our
Myposian Dictionary for our best interpretation of these lyrics). Once the song
is over, Balki leans back and looks at them approvingly. "Very good,"
he nods, "I think ‘For She’s a Jolly Good Fellow’ really works in
Myposian. Don’t you?" "Oh, real toe tapper!" Larry agrees
sarcastically. "Okay now, um . . . " Balki begins as he gets his coat,
"everybody please be at the apartment at seven o’clock so that when
Cousin Larry and I arrive with Yaya Biki you can jump out and yell ‘Surprise!’"
"Wait, wait, hold on, honey," Harriette interrupts, "You sure it’s
such a good idea to jump out and yell at a woman who’s a hundred and
six?" "No problem," Balki assures her, "Yaya Biki is as
strong as a sea turtle . . . course she has better legs. Now, I got to run.
I
got to pick up party hats and half a pound of head cheese. And listen, don’t
forget to bring your dancing feet . . . Yaya Biki loves to party down!"
Balki exits to the parking garage.
"A hundred and six and as strong as a
sea turtle," Lydia sighs, "I wonder what I’ll be like when I’m
old?" "Probably a lot like Yaya Biki," Harriette comments, then
turns to return to the elevator. "Why, Harriette!" Lydia says with
surprise, "You think so?" "Sure 
I do, honey!" Harriette
says, "You’re already starting to look like a sea turtle!" Harriette
disappears into the elevator. Lydia reacts to this comment as the phone on Larry’s
desk rings. "I’ll get that," Larry says and walks to his desk to
answer it. "Hello? No, Mr. Bartokomous is gone for the day.
Well, uh, if it’s
important I can take a message; I’m his cousin." Larry’s face grows
serious as he listens a moment. Lydia approaches him, noting the look on his
face. "Oh no. Yeah . . . I . . . I understand. Uh . . . thank you.
Goodbye." Larry hangs up the phone, looking shocked. "Larry . . . what’s
wrong?" Lydia asks. "That was the airline," Larry explains,
"Yaya Biki got off to change planes in New York and, uh . . . her heart
stopped. She’s dead." Larry and Lydia stand in shock as the scene fades.
Act two begins in the apartment later that
evening. Mary Anne and Jennifer are helping Balki to finish decorate the
apartment. Mary Anne is on a ladder as she finishes hanging a banner that reads
"Welcome to America" and Jennifer is placing little American flags in
and around the tomato plants. Balki is walking to the front door to hang
something and walks by Mary Anne just as she falls from the ladder. Without
stopping, Balki catches her, and continues on his way, placing her back on the
ladder as he returns. "Jennifer, are you sure we have enough potato
chips?" Balki asks. "Balki, you already bought fifteen bags and we
only have ten people coming," Jennifer points out. "You’re right,
maybe we do need more," Balki surmises.
Larry enters the apartment and Balki runs
to him excitedly, pulling him into the apartment and saying, "Cousin!
Cousin, look! Look, look what we did! Does this say ‘Welcome to America’ or
what?" "Well, yes it does," Larry agrees nicely. "When Yaya
Biki sees all this, she’s gonna die!" Mary Anne exclaims. Larry tries not
to react to this comment and steps past Balki to address the girls. "Uh,
Jennifer and Mary Anne, don’t you need to hurry upstairs and change for the
party?" "Larry, we have changed for the party!" Jennifer
notes in a hurt tone. "And lovely you are, too," Larry notes,
then tries again, "Uh . . . I don’t know how to tell you this but Lydia
is wearing that exact same dress. But if you don’t mind . . . .
" "No, no, I’ll change!" Jennifer says, walking to the
door to leave. "Mary Anne, did I mention that Harriette is wearing
what you have on?" Larry adds. "Wow, small world!" Mary
Anne gasps, then shrugs, saying, "I better change!" She leaves as well.
Balki carries some party favors to the
living room and asks, "Cousin, is fifteen bags of potato chips enough?
We
have ten guests coming, I made four gallons of sheep dip." Larry grabs
Balki’s arm to keep him from walking away. "Balki, sit down," he
encourages. Balki thinks a moment then concedes, sighing, "Okay.
I guess I
could take a break." Balki sits in the chair by the couch, sighing, "I
have been running around like a chicken with his head glued on all day!"
Larry begins slowly, saying, "Balki, the airline called. Yaya Biki is . . .
is going to be late." "How late?" Balki asks. "A lot,"
Larry sighs. "Cousin, what is it?" Balki asks. "Yaya Biki . . .
is . . . not coming. Something happened." Balki thinks a moment, then
gasps, "She bought the farm, didn’t she?" "Well, yes she
did," Larry nods. "Oh! Oh, this is wonderful!" Balki cries
happily, "She’s always wanted that farm! Well, of course she can’t come
now, she’s got to go out and buy sheep and goats and ducks and I don’t know
what all . . . . "
"No, Balki . . . Balki, ‘bought the
farm’ is an expression," Larry explains. "Well, of course it is, don’t
be ridiculous!" Balki says knowingly, then has to ask, "What does it
mean?" "I know this is gonna come as a terrible shock," Larry
continues gently, "but . . . Yaya Biki got off the plane in New York . . .
and died." Balki stares at Larry for a long moment, then looks ahead before
saying anything. "Okay . . . so we got . . . ten guests coming . . .
fifteen bags of potato chips enough?" "Balki, did you understand what
I said?" Larry asks. "Yes, you said Yaya Biki is dead," Balki
answers, "but that don’t solve the chip problem." Balki gets up from
the chair and heads for the door, putting on his jacket. "Where are you
going?" Larry asks, standing up in surprise. "I’m gonna go out and
buy some more potato chips," Balki says, "If we run out of munchies
this party’s gonna be a dud." Balki walks out the door, leaving Larry
stunned and confused.
The outside of the apartment building is
shown with a title that reads "Three Weeks Later." Larry walks in the
front door followed by Balki, who is wearing a red nose and balloons around his
head. "Cousin, wasn’t that the best circus you ever see?" Balki asks
Larry, "How about that Joko the Human Fireball? What an entertainer!
I just
hope they got him to the hospital okay!" "Balki . . . " Larry
tries to interrupt. "And the daring young man on the flying trapeze?
What
kind of a person would climb twenty five feet up in the air then just drop off
and then swing back . . . and forth . . . and back . . . and forth . . . "
Balki makes the swinging motion as he speaks, and then finishes with, " . .
. and then just hand himself to somebody?" as Balki throws himself into
Larry’s arms. After Larry drops him, Balki leans forward and touches the red
ball nose to Larry’s nose, causing the rubber nose to squeak.
"Cousin, Cousin, I have a storm in my
brain!" Balki says, putting an arm around Larry’s shoulder, "Why don’t
we invite the girls down and rent a movie and get ourselves a pizza and just . .
. . " "Balki, Balki, Balki, why don’t you give the girls and me a
night off?" Larry asks, "For the past three weeks you’ve dragged us
around to every amusement park, zoo, movie and video arcade in Chicago!"
"Well! Excuse me for being fun!" Balki scoffs, putting a whistle in
his mouth and blowing some funny notes, the leaning forward to squeak his nose
against Larry’s again. Larry reaches up and pulls the nose off Balki’s face,
then pulls the whistle out of his mouth and finally the balloons off his head.
"Okay, I know," Balki tries
again, "I’ll make some popcorn and we can practice catching it in our
mouths!" Balki walks into the kitchen. "Balki . . . Balki!
This is
Cousin Larry! You don’t have to do this!" Larry says. "No, Cousin,
it’s no bother! I love making popcorn!" Balki says. "No, no, not
that," Larry clarifies, walking into the kitchen where Balki is putting
some butter into a pan on the stove, "I mean you don’t have to pretend
you’re happy around me." "What are you talking about?" Balki
asks, "I’m happy!" "You’re not happy," Larry says.
"I am happy!" Balki insists. "No, you’re not."
"I’m
happy!" "No, you’re not." "I’m happy!"
"No,
you’re not." Balki grabs Larry roughly by the shirt and says in a serious
tone, "I’m happy. Now let it go." Balki releases Larry and goes back
to making popcorn, placing more butter into the pan.
"Okay, fine. You’re happy,"
Larry states, "Your Yaya dies and you’re happy. It makes perfect
sense." "Okay, Cousin . . . I’m not happy," Balki admits,
taking Larry aside, "Let me explain something to you. I’ve been prepared
for this. On Yaya Biki’s one 
hundredth birthday she pulled me aside, she said
‘Balki . . . today I am one hundred years old. Chances are I’m not going to
make another hundred. So when I go please just go on with your life as if
nothing happened. Please! Promise me this so that I can rest in peace.’
I
promise her that, and that’s all there is to it." Balki returns to the
stove, placing some kernels in the pan to test the heat. "Well, you’re not going on as if
nothing has happened," Larry notes, "You’re doing happy things but I
can see you’re hurting inside and you’re trying to hide it. You can’t hide
it from me, Balki, I know you too well." "Cousin, I am trying to do
what I promised Yaya Biki I would do!" Balki states. "Yaya Biki was
very wise," Larry continues, "I’m sure she wanted to make things
easier for you. But if she could see you now she’d say she made a mistake.
When someone close to you dies you have to mourn for them." "No!
No .
. . no . . . . " Balki says, walking to the kitchen table and sitting down.
"I had an uncle whose wife
died," Larry says, "and he had a very hard time getting over it.
He
held things in . . . but the poor guy was a wreck. So he tried something.
He
wrote a letter to his wife telling her all the things he wished he could say to
her." "And did this make everything better?" Balki asks.
"Well . . . it made things a little better," Larry answers, "But
if you don’t want to write to her try talking to her . . . it doesn’t matter
what you do, the important thing is to get it out, to . . . say goodbye."
"I don’t want to say goodbye," Balki says. Larry waits a moment,
then reaches over and touches Balki’s shoulder, adding, "I’m only
trying to help. I’m gonna go upstairs and tell the girls they don’t have to
come down tonight and watch you be happy." Larry walks out the front door,
giving Balki a sympathetic look before he exits.
Balki gets up from the kitchen table,
motioning impatiently and walking to his bedroom. He stops outside his bedroom
door and then returns to the living room, stopping at the couch and throwing his
leg over the back of it as he faces the empty rocking chair with the blanket he
made resting on its arm. "Well, Yaya, here we are!" he states, then
says "Oh, what the . . . !" under his breath and throws his hands up
as if he feels ridiculous, walking back toward his bedroom. He stops again,
thinking a moment, then walks back into the living room and sits down on the
coffee table in front of the rocking chair. He motions with his arms, holding
them out as if he doesn’t know where to begin or what to say.
Finally he begins. "Yaya . . . here I
am . . . in America, just where you wanted me to be. I . . . I know it was your
dream to come
here, too.
I just wish you could have seen more of this country. I
was thinking . . . maybe you saw the Statue of Liberty from the window of your
airplane. Wasn’t she beautiful? I remember the first time I ever saw her I was
. . . I was sailing into New York Harbor on the tramp steamer and the sun was
coming up and . . . there she was, just like you said . . . bringing light to
the world. And it was the most wonderful day of my life . . . and you . . . made
that day possible. I am so blessed to have had somebody to fill my heart with
such wonderful dreams and then to help me to make them come true." Balki
sighs and leans his head in one hand. "Yaya . . . you don’t make things
easy. I’ve been trying to do what you told me to do . . . to go on with my
life as if nothing has happened. But you don’t understand how hard it is . . .
because . . . you’ve never lost you."
Balki takes the blanket from the arm of
the chair and holds it. "I made this for you," he says, getting up and
placing it across the back of the chair as if he is wrapping it around her
shoulders as he kneels beside her. "I hope you like it. Um . . . Cousin
Larry said that I have to say goodbye and that . . . and that I have to feel sad
before I can feel happy again . . . and I think he was right." He lays his
head upon the blanket, sighing, "I miss you." Finally he lifts his
head and says, "Well . . . I’m gonna go upstairs now and tell my friends
that I’m sad. I think that’ll make them happy." Balki gets up and walks
to the front door, opening it but pausing just before he opens it. "Bye,
bye, Yaya . . . I’ll see you again someday." Balki walks out the door and
the camera pans down on the empty rocking chair and blanket as the scene fades
to black.
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